Loss is a small word but the cause of a massive array of overwhelming emotions. Loss of a loved one through natural death is hard enough to cope with, but losing someone unexpectedly because of an accident or criminal intervention multiplies every difficult emotion. What could be worse?

There is something worse which thousands of unfortunate people have to deal with every day. And for most of them, I mean “every day” of their lives. This is the utter devastation caused by losing someone suddenly when there isn’t even a corpse to grieve over. In fact, the sufferer does not know if there has been a death, and that is what makes this condition worse than anything. Each country around the world recognizes this topic as Missing Persons, and it is a tragic and bizarre phenomenon.

When you tot up the worldwide numbers, hundreds and hundreds of human beings, all belonging to families of one description or another, just VANISH every year from the planet.

Of course, as you start to interrogate the statistics, many missing persons’ cases begin to fall into possibly explainable categories … but the analysis still leaves many, many mysteries. Regardless, the “not knowing for sure” element torments the family relatives left behind in every case where the body or whereabouts of the missing person is never identified.

The “lost soul” could be a child or adult. The children’s category brings its own set of woes. A younger child would not deliberately run away from home, so the worst is feared. Having to imagine the end is more terrible than knowing a young life has perished for certain … but what if he or she was inexplicably abducted, and lives on? The pain of uncertainly is merciless.

When an adult disappears, the concerns are initially different. A mentally competent adult has the right to break contact with blood relatives or loved ones, if he or she so wishes. Police agencies will not investigate a missing person case until it has been established that some form of misadventure has caused the sudden loss. Thankfully, though, national agencies are starting to track and log all categories of reports involving missing persons so that the phenomenon can be better understood. The collated figures are mind-boggling, especially in the densely populated countries.

For example, in the USA, over 700,000 names per year are classed as “missing” at some point. That’s around 2,000 people per day being reported missing – after local searches! I was relieved to learn that the FBI can remove the vast majority of these American residents from their database as each temporarily missing person is traced. However, at any one time, about 48,000 Americans are being actively searched for to some extent.

We need to examine smaller numbers to really grasp the situation. In my own country of Ireland, with a modest population of circa 4.5 million in the Republic, it is reported that about 8,000 people per annum turn up on the Missing Persons register, for a while at least. Not including the rarer cases of missing young juveniles, that works out to reveal that 1 in every 500 resident Irish adults could be declared as “missing” – each year. When the voluntary runaways and the mentally vulnerable have been traced, we are still left with a few dozen folk who just vanish, year on year, on a comparatively small but civilized island. And the few dozen excludes “missing bodies” not recovered after a known catastrophe, such as fishermen lost at sea following a shipping disaster. This state of affairs is repeated around the world, on a much bigger scale. Put crudely, there are permanently Missing Persons everywhere. So, where do all these recognizable and often much-loved people disappear to?

A gruesome but converse section of national databases is sensibly being put together by the authorities in each country responsible for logging names and descriptions of Missing Persons [MP]. This is a growing worldwide register known as the MPUB index. The UB part stands for “unidentified bodies.” A strange twist to the MP phenomenon is that a worryingly high number of dead bodies remain unidentified around the globe, every year. Modern technology is finally allowing a few of the long-lost missing persons to be chalked off the statistics when a match is found in the UB section, somewhere. For some desperate families, peace of mind is granted and the natural grieving process can run its course.

It is a controversial subject as to whether the public at large should be allowed to view the growing UB database. I give advanced warning to anyone who comes across the accessible sections of the MPUB online to be prepared for some disturbing images. Viewing human corpses is a very unpleasant business for most of us delicate souls – but how else can tormented relatives complete the ultimate search for their particular MP? Advances in DNA technology are permitting family matches to be made to some UB’s. As you might imagine, visual recognition is impossible in many circumstances. The UK is taking the lead with this sensitive project. In Britain alone, over 1,100 dead bodies from the last 50 years are unidentified and therefore unclaimed. UB’s discovered as far back as the 1950’s are being exhumed from burial grounds to allow DNA testing samples to be taken. Believe me, it is better to know where your loved one rests rather than live a life in purgatory, if not Hell on Earth.

This subject matter came to my attention midway through my search for Merrill. He was an undeclared Missing Person, some time just before WW2. I started to weigh up all the options. What happened to a fairly well-known man about town? There was absolutely no evidence to support the theory of Merrill living in secret under an alias, until a natural death in old age. In fact, we unearthed one vital piece of paper which tells us that his life ended abruptly. As such, we knew the time and place of death within a rational envelope of accuracy, but we had no info about the circumstances.

Suicide in a remote wilderness was ruled out after I researched psychopathic tendencies. For about the last decade of his life, Merrill’s behavior matched the clinical definition of a psychopath on many counts. An undiscovered accidental death? Unlikely in the populated towns and cities which Merrill frequented. Sudden natural death? Only if Merrill was alone on a mountain top. Implausible. All these scenarios would normally lead to an eventual UB or John Doe of some description, even if it was just skeletal remains. Whilst the police authorities in Midwest America of the 1930’s did not have the modern advances in post-mortem science, they did circulate regular regional bulletins to notify other law offices and the general public about unclaimed corpses. The relatives of missing citizens would have been contacted after each grisly find. The disappearance of a high-flying businessman and family man would have remained in the public eye – had it been reported.

But all this becomes inconsequential. At least one person knew that Merrill was gone forever. My “Where’s Merrill?” novel exposes who this was. Nonetheless, the more intriguing aspect of Merrill’s demise is that it was not officially registered. To some, Merrill was gone. To others, he was a Missing Person. My job was to work out how many associates of Merrill fell into the first category. We did find evidence that more than one close associate knew more about the “end game” than they ever disclosed. That nugget of info has not been published … yet.

The coming together of those who worked on the “Where’s Merrill?” project resulted in a strange MP coincidence. Obviously, Tim had a Missing Person; a grandfather without even a name, at the start. The mystery surrounding Merrill’s unconfirmed resting place still niggles away at a grandson who never got the chance to meet his mother’s parents. But it was only by accident that the research team members realized that each was familiar with the never-ending despair of the MP syndrome. Kathy from the Midwest has a fondly-remembered relative who qualifies for inclusion on the discomforting MP database which every family should dread. As with all MP cases, personal circumstances suggest possibilities, but the nightmare of uncertainty consumes the MP’s nearest and dearest.

Sue and I have that associated hole in our hearts too. Without belittling the magnitude of human loss, the sudden disappearance of a pet animal evokes all the symptoms of MP anxiety in its own way. Many small pets are classed as full members of the household and when they’re not around one day, the whole ambiance of a family home is changed forever. We “lost” a much-loved pet on an ill-fated day and, despite endless and fruitless searches, the “not knowing” is a painful memory that is excruciatingly hard to subdue. A cruel consolation is that I can now empathize more fully with the suffering families of a missing soul of any description. As shown above, there are a lot of us around.

Of course, there are increased reasons for a roaming domestic animal not returning home. There are predators lurking everywhere, waiting for the right opportunity to pounce. In the quirky world of Gearoid O’Neary, my own heartache helped to answer that bothersome question, “Where’s Merrill?”

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The research process to fully understand Merrill and his extended family lasted through most of 2011. During this time, the research “team” suffered one sad tragedy of their own. The father of our local Midwest research assistant, Kathy, died suddenly and unexpectedly. The project went on hold as all involved instantly recollected the real pain of losing a truly loved one. Family history researchers spend a fair amount of time retrieving and studying death records; some remain detached from their findings. Not us. Compassionate genealogists empathize with the feelings which their surviving research subjects went through when a close relative passed away. The death of Jack Haley made us all take stock of our lives, and say a few prayers of remembrance for the dearly departed whether they be our own ancestors or those of our research clients.

John E “Jack” Haley (1936-2011)

Obituary: Jack Haley lived what he loved: planes, trains and real estate.

He became a pilot after joining the Air Force in 1958 and continued to fly planes the rest of his life. During the Vietnam War, Haley completed more than 100 combat missions over the Ho Chi Minh Trail and was awarded the Distinguished Flying Cross.

He later spent six years flying first families — including Presidents Richard Nixon and Gerald R. Ford, on occasion — vice presidents, Cabinet members, senior military members and elected leaders. He also routinely flew Secretary of State Henry Kissinger and Gen. Omar Bradley. Jack Haley retired from the Air Force in 1978.

Haley began his real estate career while in the service, initially purchasing rental homes and small apartment communities. At the time of his passing, he owned 10,000 apartments in 10 states.

Always fascinated by railroads and an avid model railroader, he owned two railroad companies from 1984 to 1991 which formed an 850-mile stretch of railroad between Chicago and Omaha.

Kathy’s personal tribute:

It has been my privilege to have had my parents into adulthood. My parents witnessed the births of their grandchildren and great grandchildren, gave me pure unconditional love and shaped the woman I am and the mother I am to my children. I have been very blessed.

July 2, while walking with my step mother on a beautiful summer morning, my father, suddenly feeling tired, sat down on the neighbors front lawn and quietly and peacefully died, and with the mercy of God, quickly. Despite his age, it was unexpected. I have lost a wonderful friend.

Yesterday, we gave our final farewell and salute to Dad. He was buried with full military honors and a patriot guard escort. He was proud to be an Irish American. His friend flew over the cemetery with a fly over, nodding his Aerostar to the ground below three times. It was a beautiful tribute which Dad would have loved. He also loved God and his country. He loved his faith.

Dad had ran marathons until he was 70, then he walked. He quit smoking over forty years ago. He had flight physicals, (more rigorous than the standard) and did everything in his power not to die of a heart attack, to live a long, healthy and productive life. But God had other plans. He had a faulty heart valve, a condition of age, nothing he could control. We believed he had years left, years remaining to share with him. Time. How ironic his certificate will list a heart attack as cause of death.

Well “the old man” is in heaven now; smiling, maybe singing a favorite Irish song of the same name, and dancing with his own father, both watching the planes soar in the sky. With an old Irish Blessing, may God hold you in the palm of his hand.

Family history researchers can build up a realistic mental image of ancestors they never met if the ancestors in question featured now and again in local newspapers, and if these contemporary articles were preserved and can be found in newspaper archives. The news stories might just be local trivia, or you might get lucky and find tales of involvement in major incidents and even alleged crimes. The journalists of old had a tendency to describe the physical appearance of the persons being reported on, and sometimes these hacks would also arrogantly assess (in their biased opinion) the personality of the characters in a newsworthy story. The wealthy friends of the press of yesteryear were always fine, upstanding pillars of the community, and the common hard-working labourer was generally to be viewed with suspicion, regardless of his faultless life to date.

You can get even closer to a long-gone ancestor if you are fortunate enough to discover that your deceased relative made a Will prior to death. The retrieval of a probated Will can often reveal a list of the most valued personal effects of the person in question. You can also get a clear insight into which family members or friends of the deceased were truly respected, and maybe also those associates who were to be taught a lesson with derisory bequests.

In this regard, the research into the relatives within Merrill’s extended family unearthed several Wills which, in the main, simply confirmed the mental pictures we had built up of the more crucial characters. For instance, we know that Uncle Hubert Forster was a country sports fanatic from both newspaper articles and the fact that he left his prized fishing tackle and rifles to his nephew Horace. He also gave the younger generation of Forsters first refusal to take over ownership of a very trendy automobile (in its day), this being Hubert’s classy Pierce Arrow car. A photo of a surviving model is shown below. It is not beyond the realms of belief to imagine that a certain upwardly-mobile young businessman from Mason City might have taken a great interest in a valuable car going for a song.

As such, Hubert’s former car becomes the vehicle of choice in my novel for Merrill Harrison, the husband of Hubert’s niece.

A great car in which to race a Ford Model T

In a similar but much more poignant vein, we also discovered through Wills that the ladies in the Forster clan had a love of Hudson Seal fur coats and accessories. Whilst these fashion items are not so politically-correct these days, an expensive fur coat would have been treasured in the early decades of the 20th century. When the owner of a Hudson Seal Coat passed on, you can be sure that their fur coat passed on too, usually as a bequest to a favourite younger female relative. It was only when we studied again the beautiful portrait photo of Merrill’s young wife, Madeline Forster, that we realized that she was wrapped in an elegant fur stole – perhaps one of the very same Hudson Seal creations mentioned in her relatives’ Wills.

Madeline Forster in fur

We hope that Madeline’s daughters also got the chance to parade around in fur for a while, later on, as unbeknownst to them, Merrill was chaotically frittering away family finances, chasing his own selfish dreams of eternal wealth.

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The prologue of Where’s Merrill makes reference to the fact that I wrote large portions of the novel with a certain piece of music playing in my head. This was the rather unique instrumental titled Music For A Found Harmonium, and a link to the original and most fascinating rendition of this tune by The Penquin Café Orchestra is provided below. This piece of music was composed by the co-founder of the experimental orchestra, namely Simon Jeffes. Appropriately enough, the story behind the composition is that Simon found a harmonium whilst on tour in the Far East and sent it to a friend’s house in Kyoto. When he later visited his friend and his “found harmonium”, he was inspired to write an unforgettable yet simply structured composition which suited the quirkiness of the instrument.

In turn, Jeffes’ relentless harmonium tune inspired me to put into print the passages which describe the research processes used by modern genealogists … and the confusion and/or excitement generated by first discovering a new fact which forms part of a much larger multi-dimensional puzzle.

Music For A Found Harmonium has been compared in style to a traditional Irish reel. Indeed, many talented Irish musicians have recorded or performed their own take on the composition. Check out Sharon Shannon’s version, for example, if you would like to hear a more up-tempo, foot-tapping rendition. I have no doubt this association is the reason why the tune became my overriding theme song for Where’s Merrill because the novel jumps back and forth between present-day Ireland and often hectic goings-on in Midwest America of yesteryear, especially near the end as Merrill himself jumps from place to place. Music For A Found Harmonium can be played on any instrument, at any tempo, but the resultant output always evokes images of normality being turned on its head, and then the temporary mayhem being restored after a while – in my opinion. The music also seems to fit the diverse locations and eras in which the book’s main characters, Jed and Merrill, dwell.

I don’t know how other authors work, but during the writing of Where’s Merrill, I found myself getting into a routine wherein I would naturally wake up early in the morning, between 4 and 5am, with a multitude of ideas buzzing around my brain. I would then sit in silence in the dawn light with just hot coffee for company as I scribbled down a few scene-setting notes. And then as I expanded each passage of the complicated story, I found myself subconsciously writing to music. I was not playing the radio or any other physical music-playing device. The tunes just jumped involuntarily into my mind as I focused on each developing scene. Before long, I had a complete soundtrack in my head covering the whole novel. I could jump from scene to scene, and mood to mood, by simply recollecting each inspirational piece of music.

I can only think that I was influenced by modern film-making techniques which sometimes use completely random background music to emphasize key moments in movies. It does not seem to matter anymore if the film director’s choice of music is historically or chronologically out of sequence with the action being portrayed. It is the “mood” or sentiments of the musical pieces which matter more than period appropriateness. In effect, I eventually realized that I was not really creating a story in “black and white,” in the conventional style of a creative writer. On the contrary, I was writing down, as quickly as possible, my description of a colorful movie being shot on location in my head.

There are other references in the Where’s Merrill novel to musical accompaniment. Early on, Jed’s sidekick and faithful partner, Sue, tells him that his ultimate research quest is like looking for a “Needle In A Haystack” and they sing along to this classic 60’s pop song by The Velvelettes. At this point in the story, Jed is upbeat and enjoying the developing search for Merrill, so a fun song is quite fitting.

In a similar vein but with darker undertones, there is a reference to another hit record from the “Swinging Sixties“. This occurs when a Swing Band from the 1930’s plays a number to which the young dancers sing out loud the chorus, i.e. “they seek him here, they seek him there,” etc. The song influencing my thoughts at this point was Dedicated Follower Of Fashion by The Kinks which itself was influenced by music heard in earlier generations in the Dance Hall era. At the time of the song’s release in 1966, the composer, Ray Davies, was lampooning both the London fashion scene as well as the type of music his parents used to enjoy. Whilst the original lyrics do not sit well with the antics of Merrill Harrison in the 1930’s, I did find myself changing the title line to “Dedicated Follower Of Finance” when thinking about our anti-hero and his tendency to turn up in unexpected locations.

I found that writing passages set around weddings and funerals with their church connections to be relatively straightforward in the context of my spontaneous musical play-list stimulation. We have all heard very moving music played at church services, even though we often haven’t got a clue what the pieces being performed are called, and maybe even less so, who composed them. Many of the most memorable pieces of church music were written centuries ago by classical composers such as Bach, Handel and Purcell. This pedigree of musical maestros used to claim that church compositions were just simple tunes created almost as a whim, and that is why we probably retain these moody melodies somewhere deep inside our consciousness. They were the pop singles of days gone by, and the more complex album tracks were only played in the theatres and opera houses. The composition that came back to me instantaneously one bright summer’s morning was the once-lost Canon In D by the German composer, Pachelbel. It is strange to think that this now instantly recognizable tune was tossed aside as a bit of lightweight fun and not played for about 200 years. The fact that it was lost, then found (like Jeffes’ harmonium), seems to have some perfect irony when I link Canon In D to my search for Merrill.

I once heard Canon In D played “live”, many years ago, by a talented chamber quartet who were busking (of all things) on a Dublin shopping street. Back then, I didn’t know what the piece was called. I thought to myself, “Where have I heard that before?” A mental image of a church, and then a wedding, popped into my mind. I couldn’t recall a specific wedding I attended where it was played – but now the Canon In D and weddings seem to be forever intertwined. In hindsight, my resourceful mind was being quite logical when it decided that Madeline Forster should walk up the aisle to Merrill to the advanced strains of Pachelbel’s delayed pop song.

I have got to admit that I struggled to find the right background music to accompany the closing sequences of Where’s Merrill. I reckon that the reason was twofold. Firstly, the scenes and dialogue had to describe sinister events and the majority of my mentally-retained musical repertoire is of an uplifting nature. Secondly, I initially did not know the precise details of how Where’s Merrill ends because there was no corresponding text in my research notes to guide me. So, how could the brain cells in charge of associated memory-recall link something musical to passages which were not fully defined?

I am a believer in fate, and that’s how my writing dilemma was resolved – not for the only time during this adventure. I went for a short, late morning drive in my car and turned on the car radio. I normally listen to a station dedicated to 24/7 news; all chat and nothing else. So how come it was playing the opening chords of a very vaguely familiar pop record? I turned up the volume trying to work out what was being played. The chords struck a chord, and the initially jolly tone of the song became shadowy and eventually threatening enough to suit the “end of Merrill.” I started to listen to the lyrics, and they matched the murky mood as well. It was probably the first time that I had re-heard the particular song on the radio in over 20 years. The radio presenter never did explain why he was playing a peculiar old pop tune in an interlude between “deep” discussions on current affairs. Fate.

The radio song was Skin Deep by The Stranglers, a perhaps under-rated group of talented musicians who hid behind their self-created image as the intimidating Men In Black. My fateful hearing of the song helped me over the finishing line and the main body of the novel took its final shape. The closing chapters of Where’s Merrill see multiple characters acting deceitfully, some even pretending to be completely different individuals. Watch out for the skin deep. The Velvelettes never warned that sometimes it’s tougher to look than to leap when we started looking for that Needle In A Haystack.

Many people tell you that they’re your friend
Believe them, you need them for what’s round the river bend
Make sure that you’re receiving the signals they send
‘Cause brother, you’ve only got two hands to lend

Maybe there’s someone who makes you weep
And some nights they loom up ahead when you’re asleep
Sometimes, there’s things on your mind, you should keep
Sometimes, it’s tougher to look than to leap

Better watch out for the skin deep
Better watch out for the skin deep
Watch out for the skin deep
Watch out for the skin deep
Better watch out for the skin deep

One day the track that you’re climbing gets steep
Your emotions are frayed, and your nerves are starting to creep

Just remember the days as long as the time that you keep
Brother you better watch out for the skin deep

The timely intervention of The Stranglers also led me to listen again to my favourite composition by this band, the eerie but entertaining instrumental titled Waltzinblack. I now retrospectively attach this scary waltz to my vision of Mame Novak dancing all over the best endeavours of poor Horace as he attempted to keep the financial affairs of incarcerated “Aunt Edith” in proper order.

Other pieces of music played their part during the conception and delivery of Where’s Merrill, but two songs from the same genre crept into my head during the laborious proof-reading and pre-publishing phase. Strangely, without knowing it at the time, both of these songs produced in the familiar American Country Music style turned out to have been written by Europeans in the mid 1970‘s. I have written a separate post about one of these two songs, a country lament which I now call the Merrill & Sabrina Love Theme.

The other song was actually a record I grew to loathe when it hit the Number One spot in the pop music charts in 1976. I am referring to Mississippi by Pussycat, (apparently) a Dutch band led by three sisters. The song got so over-played, and usually with the same badly-mimed video backing, that a catchy ditty turned into parody of itself within one month, to be only ever heard again on Golden Oldie radio shows decades later. But as I finally published my Where’s Merrill novel after months of toil, an overwhelming sense of relief engulfed me – and the first song I randomly heard on a TV music channel that evening was a “new” (to me) and “live” version of Mississippi complete with full orchestral backing. Fate? It sounded wonderful, and I just sang along, and laughed and danced, and laughed some more. I had got to the final end credits of the movie in my head.

If you read Where’s Merrill, then you might appreciate the absurdity of Merrill’s researcher singing about the Mississippi just “rollin’ along until the end of time.” The search for Merrill might never end, and the empathy for many of his tragic extended family members might never go away – but Merrill’s grandson and I have learned that life must go on, and we can sing and dance when the mood takes us.

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In our search for Merrill, we traced the lives of all his possible associates. This meant researching the whereabouts of all identifiable members of Merrill’s complicated extended family. In doing so, we came across one very eccentric character called Andrew Hessler who led a fascinating life with echoes of the Mystery of Merrill, although this man’s antics occurred a few decades earlier and culminated with his shocking death in 1915. As a result of my strange findings, I christened Andrew as Mini-Merrill.

If you‘ve read Where‘s Merrill, you will recall that Horace Forster’s mother was Amelia, and when her husband Leo Forster Jr shot his brains out after five years of marriage in 1886, we found out that Amelia eventually got married again to this fellow called Andrew Hessler – but this second husband “disappeared” (just like Merrill) during 1900 amid rumours of suicide.

I take some comfort regarding my ultimately frustrating search for Merrill’s whereabouts after 1936 in that I was able to track Andrew down across several far-flung American states after his particular reported “disappearance“ in 1900. Here’s a summary of Andrew Hessler’s crazy life:

• Born 2nd June 1850 in Rosenburg, Baden (now Germany).
• 1868 – residing in Philadelphia.
• 1869 to 1873 – residing in Saginaw IL; working as a barber.
• 1880 to 1889 – residing in Indianapolis; still a barber, but now renowned on the entertainment circuit as an accomplished tenor singer. Reportedly spent some time in Cuba to refine his opera singing talents.
• 1890 to 1900 – residing in St Paul. Initially a barber-cum-singer. Marries widowed Amelia in April 1892, and becomes Horace’s stepfather. Amelia had some theatrical interests, so a romance may have blossomed “on the boards”. By 1900, Andrew is wealthy enough to invest in a restaurant and liquor sales outlets.
• In May 1900, Andrew is reported to be missing from St Paul. A friend says he’s in Denver. The Forsters say he has “headed west” looking for a business location. Others say he has committed suicide.
• 1901 to 1903 – Andrew secretly reappears in Seattle WA, alone, and working as a barber again.
• 1904 to 1906 – Andrew relocates way south and lives in San Diego CA. Here he takes joint ownership of a saloon bar, and marries Catherine Rausch on 12th March 1906 after a courtship of only a few weeks. For a while, he takes sole ownership of his bar.
• 1907 to 1911 – After his second marriage, Andrew moves north again, this time to Portland OR. He starts trading as a real estate salesman, mainly selling saloon bars located on the west coast. The marriage to Catherine does not last long. By 1908, his second wife has sought refuge in Chicago where she dies aged just 50. An extract of her Will referring to Andrew makes newspaper headlines all over America (see below).
• 1912 to 1915 – Andrew heads back to San Diego. The end of his life in 1915 mirrors events in the St Paul home of Leo Forster Jr way back in 1886. Andrew shot his brains out on Santa Fe Wharf with a Smith & Weston revolver tied around his neck with his shoelaces.

It is clear that Andrew could never settle down in one place. This tells us something about his personality, perhaps reflecting a character akin to Merrill in later life. Thankfully, newspaper reports provide more than just hints of what was going on. It is apparent that Andrew was considered as the equivalent of a musical pop-star of his generation, and reaped the financial benefits. In each city where he lived for a while or more commonly visited “on tour“, he organized sell-out musical shows. Andrew gained the support of town dignitaries by offering to make charitable cash donations to local worthwhile causes, agreeing to meet the unaware benefactors at noon on the day after his recitals. It seems like Andrew was regularly trusted to act as banker of the concert takings at his overnight hotel – but Andrew was always long gone after a hearty breakfast and probably beyond State borders by noon the next day.

When his voice started to fail, he turned his hand to the management and sales of saloon bars. More opportunities for some dodgy dealing. As with Merrill post-1923, it is also clear that Andrew sought out wealthy brides to help him to finance his lifestyle. It’s my bet that Hessler “disappeared” in 1900 with his own chunk of the growing Forster Fortune. The Will of Catherine Rausch is an amusing “classic”. What better way to shame a dastardly husband? Referencing Andrew, this is what she had calculatingly had written up and witnessed:

To the individual who married me in San Diego, California, and who got from me thousands of dollars and when he could get no more, deserted me, I give one dollar payable in monthly installments of 25 cents.

The newspaper hacks in 1908 reported that “Hessler’s present whereabouts are unknown“ (again!) but I found him – again.

And the whole tale came full circle when I finally found Andrew’s funeral notice and brief obituary. It mentions his stepson Horace. Bizarrely, it seems that Andrew kept in touch with Horace from a distance, or at least made his late-life friends aware that he had a stepson. Imagine how Horace must have felt upon hearing the news from San Diego about Hessler’s dramatic suicide; both his biological father and stepfather had now raised a pistol to their own temple – and pulled the trigger – albeit 30 years apart.

Andrew’s obituary concludes by stating that “in recent years, Hessler was financially embarrassed.” This statement also resonates with our main missing man, Merrill, except I believe that Merrill learned how to hide that embarrassment by adopting the persona of an always comfortably well-off businessman … and then conning foolish associates into investing in his dubious schemes. In the end, Merrill was showing classic psychopathic tendencies, and psychiatrists tell us that extreme psychopaths cope with life by believing in their own deceptions as though it were true.

Medical experts also tell us something else: psychopaths do NOT commit suicide.

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